Electra
Lochhead
BIOGRAPHY
The young Scottish soprano, Electra Lochhead, is a versatile performer, renowned for her clear, lyrical voice and effervescent stage presence. Her passion for music of all kinds has led thus far to a career which encompasses music from the early Baroque through to experimental contemporary music.
Electra has enjoyed participating in a broad spectrum of professional engagements over the last 15 years. Personal highlights include appearances in 2017 as a guest soloist with the Munich Bach Choir in Müpa, Budapest, and in 2022 as a guest soloist with the CPE Bach Choir in the Elbphilharmonie. Other notable solo performances include Bach's St. Matthew Passion, Mass in B Minor, and St John Passion, Handel's Messiah, Haydn's Die Schöpfung, Mendelssohn's Paulus and Elias, Mozart's Ch'io mi scordi di te? and Bachianas Brasileiras No. 5 by Villa Lobos. In recent years she has been a regular guest soloist with the Bach Ensemble Edinburgh at the annual Edinburgh Festival, performing several of Bach's solo cantatas including Jauchzet Gott and Weichet nur, betrübte Schatten.
In 2016 she joined the ensemble BachWerkVokal in Salzburg, where she sings regularly as an ensemble member and soloist. The ensemble's work focuses on combining the new and old in music, specialising in the works of J.S. Bach and his contemporaries and framing these works alongside newly comissioned compositions. This work in a small ensemble of 8 singers requires the performers to be outstanding not only as chamber musicians, but also as soloists, and to have the flexibility to switch from one to the other with ease.
At home on theatrical stages as well as in concert houses, Electra's opera performances include: Papagena in Mozart’s Magic Flute, Maria Maddalena in Handel’s La Resurrezione , the title roles in the world premieres of Andreas Bäuml’s Daphne’s Dream and Nils Urban Oestlund’s Pippi Langstrumpf , Ließchen in J.S. Bach's Kaffeekantate , Sarah in the digital opera Tag 47 with the Kammeroper Salzburg, Zwei in the digital opera Im Westen nichts neues, im Süden aber auch nicht, Nina's Echo in the world premiere of Die Choreographie der Leichtigkeit by Seung Yon Kim, and Mirandolina in the world premiere of Erik Schroeder's La Locandiera.
Musical Education
Electra's musical education started at the age of 9 at St Mary’s Music School, Edinburgh, where she studied for nine years under Susan Hamilton. For her first four years at the music school, she was one of the choristers at St Mary's Episcopal Cathedral, which provided her with invaluable experience in sightreading, ensemble and solo singing, as well as a broad repertoire of choral music at a very early age.
In October 2015, she moved to Austria to begin studying singing at the Mozarteum University in Salzburg. There she graduated with a Bachelor and Master of the Arts under the tutelage of Prof. Elisabeth Wilke.
DISCOGRAPHY
PRAISE FOR JAUCHZET UND LOBET
"...Electra Lochhead in der Kantate Jauchzet Gott in allen Landen BWV 51 (Tracks 8-11) mit sehr klarem Sopran, einem beseelten Legato und einer geradezu übersprudelnden Freude, einem Engelslachen gleich, die den Spitzenton federleicht erstürmt und nicht triumphierend herausbrüllt."
"Meine Favoritin ist die Solo-Kantate Jauchzet Gott in allen Landen BWV 51. Die Sopranistin Electra Lochhead singt sie, über eine Viertelstunde lang; ich werde nicht müde, ihr dabei zuzuhören. Ihre Koloraturen klingen spitz und in den Höhen auf den Punkt gebracht, geradezu seziererisch. Beim abschließenden "Alleluja" muss sie gar das dreigestrichene hohe C erklimmen, und das meistert sie dann ohne jede Mühe."
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Lieschen
Button'Kaffeekantate' by J.S.Bach
Ensemble BachWerkVokal
Cafe Bazaar Salzburg - July 2019
Photo credits: Michael Brauer Photography
PRESS
..the opening aria, "Geht ihr heissen Seufzer… Klopfet… " features four recorders “knocking” with soprano Electra Lochhead in full flow, hits the mark, and captivates.
David Bellinger,
Early Music Review
Contact
electra.lochhead@gmail.com